In the sun-drenched workshop of Sarchí, Costa Rica, Don Joaquín dipped his fine-haired brush into the orange lacquer, his hand steadying as it touched the wooden wheel of the carreta. For fifty years, his family had painted these oxcarts, filling every inch with vibrant mandalas and floral patterns that seemed to sing under the tropical sun. His grandson, Leo, watched from the doorway, eager to pack his bags for a modern graphic design job in San José. Leo saw only a dying craft, an obsolete relic of agricultural toil. But Don Joaquín saw a living archive. 'Every curve on this wheel,' he murmured without looking up, 'is a step your great-grandfather took through the muddy mountain passes. If we stop painting, we erase their tracks.' As Leo watched the brush glide, he realized the geometric symmetry was not just decoration, but a language of resilience connecting his future to their past.
Which of the following statements best expresses the central theme of the passage?
- AThe rise of modern urban careers inevitably leads to the total destruction of traditional family relationships.
- BLeo's main motivation for leaving is his active resentment of the agricultural labor performed by his ancestors.
- Traditional artisan crafts serve as a vital link that preserves ancestral history and cultural identity across generations.Answer
- DThe painted patterns on the wheels are designed to physically shield the wood from the degradation of muddy mountain roads.