Read the following English translation of an excerpt from a contemporary short story set in Oaxaca, Mexico:
Camila sat before the cooling kiln, her hands coated in the fine, gray dust of the valley clay. For fifty years, her fingers had shaped the red earth into water jugs, mimicking the curves her grandmother had taught her. Today, her grandson, Mateo, had brought a plastic bottle from the city, marveling at its weightlessness and durability. Camila held the synthetic container, feeling its smooth, sterile surface. It did not breathe like clay; it did not smell of the rain or the dry soil. Mateo suggested they purchase a mold to speed up production and make their pottery perfectly uniform, like the items sold in the capital. Camila smiled gently and handed the bottle back to him. She picked up a fresh lump of wet earth, feeling its cool dampness. She knew that every crease in her pots told the story of the earth they came from, and to standardize them would be to silence the ancestors who spoke through the clay.
Based on the passage, which of the following best expresses the central theme?
- AThe superior utility and economic benefits of using synthetic materials in daily household tasks.
- The importance of preserving cultural heritage and individual craftsmanship over modern standardization.Answer
- CThe generational conflict arising from a grandson's resentment toward his grandmother's archaic lifestyle.
- DThe physical necessity of using soil and rain to communicate directly with deceased ancestors.