Read the passage below carefully:
For generations, the construction of an Mbari shrine among the Owerri Igbo was initiated not as a permanent place of public worship, but as a temporary ritual act of artistic restitution to appease Ala, the earth goddess, during times of severe community crisis. Constructed entirely from unbaked clay, ant-hill mud, and perishable organic pigments, these elaborate structures housed sculpted figures depicting both deities and mundane contemporary scenes. Curiously, once the protracted and secluded creation process was completed and the shrine unveiled to the public, no efforts were ever made to maintain, repair, or preserve the building against the torrential tropical rains. Within a few seasons, the rains would inevitably erode the intricate earthen sculptures back into the soil. To the community, any attempt to renovate or artificially prolong the physical existence of an Mbari structure was viewed as a sacrilegious defiance of the natural life cycle and an insult to the deity, who demanded the sacrificial labor of creation rather than the physical permanence of the product. Consequently, the cultural prestige of an Mbari lay entirely in the communal sacrifice of its construction, rendering its eventual collapse an intended fulfillment of its spiritual purpose rather than a failure of architectural durability.
Based on the passage, evaluate the following statement as True or False:
The physical deterioration of an Mbari shrine was viewed by the community as evidence of spiritual neglect.
Answer: Answer