Art Conservator: A Renaissance oil painting will retain its original chromatic vibrancy for centuries if the painter applied a protective glaze containing dammar resin. Recent spectroscopic analysis of a sixteenth-century portrait revealed that its pigment layers have maintained exceptional chromatic vibrancy. Therefore, the artist who painted this portrait must have applied a dammar resin glaze.
The reasoning in the art conservator's argument is flawed because it
- Atakes for granted that spectroscopic analysis is an infallible method for assessing pigment condition
- Bgeneralizes about all Renaissance paintings based on an analysis of a single sixteenth-century portrait
- treats a condition that is sufficient to preserve chromatic vibrancy as though it were required to achieve that resultAnswer
- Dconfuses an intermediate finding used to support the argument with the overall conclusion drawn
- Erelies on language that is too absolute when describing the chemical stability of historical resin glazes
Answer
The argument is flawed because it treats a condition sufficient for preserving chromatic vibrancy as though it were necessary.
The conservator establishes that applying a dammar resin glaze is sufficient to guarantee that a painting retains its chromatic vibrancy. When evidence confirms that the portrait has retained its vibrancy, the author concludes that the artist must have used dammar resin. This illicitly treats a sufficient condition as a necessary one, ignoring the possibility that other painting techniques or environmental factors could have preserved the colors.
Step-by-Step Solution
Key Concept
Conditional Reasoning Flaw (Confusing Sufficient and Necessary Conditions)
Estimated Time:1m 15s