In his essay 'Negro-Art Hokum,' journalist George S. Schuyler argues:
'The Aframerican is subject to the same culture, influenced by the same history, and motivated by the same ambitions as his white fellow citizens... He reads the same newspapers, admires the same heroes, and is educated in the same school system... Thus, the talk of a distinct "Negro art" is sheer nonsense.'
Based on this passage, which of the following best analyzes Schuyler's stance within the cultural debates of the New Negro Movement?
- AIt aligns with Marcus Garvey's black nationalist philosophy by advocating for the separation of Black cultural production from white American institutions.
- BIt supports W.E.B. Du Bois's position by arguing that Black art must be distinct in order to serve as a tool of political propaganda.
- It challenges the concept of a unique 'Negro art' by arguing that African American culture is fundamentally American and shaped by the same environmental forces as white American culture.Cevap
- DIt advocates for emigration to West Africa as the only viable path for Black writers to establish an authentic and independent cultural tradition.
Cevap
Schuyler's argument challenges the concept of a unique 'Negro art' by asserting that African Americans share the same national culture and environment as white Americans, meaning their creative output is fundamentally American rather than racially distinct.
The correct option is correct because Schuyler's essay 'Negro-Art Hokum' argues that African Americans are culturally identical to white Americans due to their shared environment and education, thereby dismissing the idea of a uniquely racialized art style.
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The debate over cultural assimilation versus distinctiveness in New Negro art