Soru

Read the following passage carefully before choosing your answer:

Eleanor stood by the window, watching the rain dismantle the neat rows of her mother's dahlias. It was, she decided, a thoroughly appropriate afternoon for a tragedy, though the tragedy itself was of such a minor, domestic sort that calling it by such a grand name felt like a vanity. Her father had simply forgotten to write to the uncle in Bristol, and so the carriage would not arrive, and she would spend another winter in the damp parlor, listening to the clock measure out the remainder of her youth. How easily they all forgot her! As if her life were a book they had read once and placed on a high shelf, out of mind unless a dust storm raised a memory of it. She glanced back at her mother, whose fingers moved with a rhythmic, indifferent precision over a piece of lace. To her mother, the rain was merely a nuisance that threatened the laundry, not a barrier erected between a daughter and the wider world. Eleanor felt a sudden, sharp urge to snatch the lace from those busy hands and demand—what? A confession of neglect? Or merely an acknowledgment that they were both trapped in the same quiet house, watching the same gray light fail?

In the passage, how does the narrative distance established by the close third-person point of view affect the presentation of Eleanor’s conflict?