Read the following passage carefully:
"The ink had seeped so deeply into the grain of the wooden typeset drawers that no amount of scrubbing with lye could ever turn them pale again. Julian accepted this as a boundary of his world, much like the grey mist that hung over the harbor every Tuesday morning, obscuring the masts of the tea clippers. It was better, he decided, not to look too closely at the ships. When the ink-slicked rollers of the press began their low, rhythmic thumping, the sound filled the gaps in his own thoughts, sparing him the necessity of wondering if his sister had reached Boston, or if she had even boarded the vessel at all. The master printer, Mr. Vance—who rarely spoke unless a column was set crookedly—observed Julian's tireless scraping with a cold, professional approval. To Vance, the boy was merely an extension of the iron levers, reliable and silent. Julian preferred it this way; to be noticed was to be questioned, and questions required answers he had spent three months trying to forget."
In the passage, how does the close narrative distance between the narrator and Julian primarily function to convey his emotional state?
- It reveals how Julian uses the repetitive physical labor of the print shop to suppress his personal anxieties.Cevap
- BIt highlights the author's critique of the dehumanizing conditions faced by young workers in the nineteenth century.
- CIt demonstrates that Mr. Vance is a hostile antagonist who actively exploits Julian's emotional vulnerability.
- DIt provides an objective, step-by-step account of the daily operational routines in a printing press.
- EIt establishes Julian as a first-person narrator whose testimony about his sister's departure is deliberately misleading.