Dendrochronological analysis of oak panels used by seventeenth-century Dutch master painters demonstrates that all timber imported from the Baltic region between 1620 and 1650 was derived from slow-growing old-growth trees. Oak felled in the Baltic during these three decades consistently exhibits narrow growth rings containing high structural density. Panels crafted from this Baltic oak resist warping significantly better than panels made from domestic Dutch oak. Historical records confirm that Rembrandt van Rijn painted exclusively on wooden panels made from Baltic oak between 1630 and 1645. However, after 1645, trade blockades completely halted Baltic timber shipments to Amsterdam for over ten years.
If the statements above are true, which of the following must also be true on the basis of them?
- ARembrandt was forced to switch to canvas for all of his paintings produced immediately following the 1645 timber trade blockades.
- Any wooden panel on which Rembrandt painted between 1630 and 1645 was constructed from timber that possessed high structural density.Cevap
- CDomestic Dutch oak was never utilized by Dutch master painters prior to the implementation of the 1645 trade blockades.
- DThe superior warp resistance of Baltic oak panels caused Dutch painters to prefer them over all other artistic media in the seventeenth century.
- EBaltic oak imported after 1650 lacked the narrow growth rings characteristic of Baltic timber imported between 1620 and 1650.