Read the following excerpt from the preface to Jessie Redmon Fauset's novel *The Chinaberry Tree* (1931) and answer the question that follows:
"But of the great transition class, the refining, developing, and expanding class of Negroes who live, move, and have their being in a world of their own, we hear almost nothing... It is of this class that I write."
Based on the excerpt and your knowledge of the New Negro Movement, Fauset's literary philosophy most directly aligns with which of the following positions in the cultural debates of the era?
- AThe insistence that Black writers should reject Western literary genres and forms entirely to align with Marcus Garvey’s nationalist program.
- The belief that African American literature should focus on depicting respectable, middle-class lives to counter racial prejudice and argue for social equality.Answer
- CThe argument that artistic expression must remain subordinate to obtaining vocational training and economic self-sufficiency.
- DThe view that African American writers should reject US citizenship and focus exclusively on literature that advocates for emigration.
Answer
The belief that African American literature should focus on depicting respectable, middle-class lives to counter racial prejudice and argue for social equality.
The correct answer is correct because Jessie Redmon Fauset, along with other editors and writers of the older generation during the Harlem Renaissance, believed in the politics of respectability. She argued that portraying educated, refined, and moral middle-class African American characters would challenge white supremacy and demonstrate that Black Americans were deserving of equal social and political rights.
Step-by-Step Solution
Key Concept
The New Negro Movement and Cultural Debates