Read the poem below by John Keats (1795–1821), published in 1848:
When I have fears that I may cease to be
Before my pen has gleaned my teeming brain,
Before high-piled books, in charactery,
Hold like rich garners the full ripened grain;
When I behold, upon the night’s starred face,
Huge cloudy symbols of a high romance,
And think that I may never live to trace
Their shadows with the magic hand of chance;
And when I feel, fair creature of an hour,
That I shall never look upon thee more,
Never have relish in the faery power
Of unreflecting love;—then on the shore
Of the wide world I stand alone, and think
Till love and fame to nothingness do sink.
In the poem, the transition in the final two and a half lines ("then on the shore...") primarily functions to resolve the speaker's thematic argument by doing which of the following?
- Aillustrating a literal geographic boundary where Keats himself sat to write his last poems
- Boffering a literal description of a character standing by the ocean to escape the pressures of urban life
- reconciling the speaker’s anxieties by viewing human pursuits from a cosmic vantage point that diminishes their importanceAnswer
- Dsummarizing the timeline of how the speaker first fell in love and later achieved artistic success
- Emaintaining the same desperate urgency of the opening lines by demanding that love and fame be preserved at all costs