Read the following passage from John Donne's poem "A Valediction: Forbidding Mourning" (1633):
Our two souls therefore, which are one,
Though I must go, endure not yet
A breach, but an expansion,
Like gold to airy thinness beat.
If they be two, they are two so
As stiff twin compasses are two;
Thy soul, the fixed foot, makes no show
To move, but doth, if the other do.
And though it in the center sit,
Yet when the other far doth roam,
It leans and hearkens after it,
And grows erect, as that comes home.
Such wilt thou be to me, who must,
Like th' other foot, obliquely run;
Thy firmness makes my circle just,
And makes me end where I begun.
In the passage, the speaker’s transition from the metaphor of beaten gold (lines 1-4) to the extended conceit of the twin compasses (lines 5-16) develops the central thematic argument by doing which of the following?
- shifting from a representation of love as a singular, undivided substance to an illustration of how separate, complementary roles sustain connection across distanceAnswer
- Breflecting John Donne's personal biographical anxieties about his travels to France, thereby justifying his physical departure to his wife
- Cdemonstrating the rhetorical classification of similes and conceits to establish the speaker's intellectual superiority over the beloved
- Dsummarizing the physical steps of the speaker's upcoming journey and detailing his chronological route back home
- Etreating the fixed foot and the roaming foot as separate, isolated symbols of domestic confinement and emotional alienation, respectively