Read the passage below:
The carriage had not yet reached the gates of Oakridge when Clara decided she would hate it. She did not look at the manicured lawns, which she knew to be maintained by the sweat of half-compensated tenants, nor at the grand stone portico that loomed like a grey monolith against the rainy sky. Instead, she stared at her own gloved fingers, counting the tiny, uneven stitches in the leather. To Clara, each stitch was a testament to the family's decline, a cheap repair hiding under the guise of gentility. The narrator, observing her from a distance that grew colder as the carriage climbed the hill, noted only that the gloves were of the finest French kidskin, purchased during a more prosperous spring, and that Clara's disdain was an armor she wore to prevent the world from seeing how desperately she wished to be welcomed inside.
Which of the following best describes the effect of the shift in narrative distance in the passage?
- reveal the contrast between Clara's internal defensiveness and the reality of her social vulnerabilityCevap
- Bconfirm that the family's absolute financial ruin has forced Clara to wear poorly repaired clothing
- Cexpress the author's moral condemnation of the wealthy estate owners of Oakridge
- Ddetail the chronological sequence of Clara's journey from her family home to the gates of Oakridge
- Esignal a transition from a first-person participant narrator to an omniscient narrator