In Senegal, hip-hop has been embraced by youth not simply as an imitation of African American culture, but as a vehicle for reviving traditional Wolof oral poetry (*taasu*) and addressing local political issues. Known as *Rap Galsen*, the genre merges imported electronic beats with traditional sabar drumming and lyrics in local languages that critique government corruption. Senegalese artists argue that rather than losing their heritage to Western imports, they are using globalized media to amplify local voices and preserve historical storytelling traditions.
Based on the passage, the development of *Rap Galsen* in Senegal best illustrates which of the following trends in globalized culture in the late twentieth and early twenty-first centuries?
- The adaptation of global cultural practices to express local political concerns and preserve indigenous identitiesCevap
- BThe complete homogenization of global culture under uniform Western consumerism
- CThe adoption of mercantilist economic policies to insulate domestic markets from foreign cultural imports
- DThe total rejection of modern communication technology by revolutionary Marxist organizations